SCORETOBER!!!! Day 7 Puppet Master!!
Day 7
Puppet Master
Now here we go.
A film from deep in my childhood past, that I have yet to actually review, and one I promise to do a full series review on eventually. Because oh man. Oh man. Does this series go places.
But first and foremost. The music stuck with me growing up, Hell a lot of the Full Moon films did. Subspecies, Trancers, Dollman, Demonic Toys. I remember when a lot of those were coming out and we’d pick them up at Blockbuster.
This is in the category of early horror for me. It blew my mind as a kid, and I love it still today all the same.It comes from a time of classic Charles Band. The before time. Before. Before Evil Bong and Ooga Booga.
Though I kinda love Ooga Booga.
Anyway we are here to talk about Puppets! Killer puppets and this is the best of killer puppets. There is no other. Dead Silence doesn’t count! That was a witch using dolls. This is just pure blissful murderous puppets.
So lets get into it and press play on this bad boy from our youth.
The film
Bodega Bay Inn, in the late 30’s. We see an old man working happily away on his puppet. While another keeps watch outside the window for him. Well not just a look out for say any suspicious types. But also another puppet doing recon work. At least we’ll say so. Life ain’t easy for a puppet. Especially in a tall persons world.
It’s kind of nice the film isn’t hiding any of this from us. They’re pretty damn up front with the fact this puppet master has magical puppets that have a life of their own. Each seemingly with their own personality.
The doll he’s working on is something of a repeating theme Charles Band has with dolls. The doll being worked on is a multifaced Jester. His head spins in three sections before showcasing his mood. Which is either happy, sad, or angry. He’s waving his hands over the dolls features. Complimenting his friend, even as the doll expresses sadness. They all seem to sense something bad is on the horizon. But the puppet maker is not phased and keeps to his task of finishing his care.
All while two men in black hats with black overcoats and gray scarfs and thick germen accents make their way toward an elevator to seek out the puppet master. It’s about this time we finally see the traveling puppet doing recon work. And he’s one of the more well known In the series. His name is Blade. He too wears a black had and coat. He has a featureless white face, with tiny spikes for eyes. A knife blade for one hand, and a hook for the other. We will, as the movie progress get introduces to all of the main puppets. Each one has their own back story and the later movies explore this as well. Thankfully.
Why are these men after the Puppet maker? Don’t know. Nor will be as his recon pal has returned. Warning him hurridly that the two men are coming their way. Quickly in fact. The puppet maker comforts Blade and packs him up along with his brothers and sister in a puppet case. Bidding them all a fond safe farewell. It is only now that we learn his name as the two men approach his room and knock. Just before he takes his own life.
His name was Andre Toulon, played by another fun character actor who appeared in nearly every early horror film I grew up with, as well as kids fil. William Hickey. A lot of you may recognize him as Dr. Finkelstein from The Nightmare Before Christmas, or Lewis the grandfather in National Lampoons Christmas Vacation.
He was a great actor and though his part was sadly short for this film. He still manages to give off a great performance. Which seems funny given he said so little. But he just has a presence about him that he brings. Whether the project is big or small.
Unfortunately his part is done, and we now move forward to modern times. Beautiful sunny 1989,
This is where things get funky. Which is a lot to say of a film about magical puppets.
The film begins a quick gathering from one group to another introducing our party before gathering them in one spot. We have another wonderful character actor and a man we’ve reviewed before in a wonderful film called Grave Secrets. The one and only Paul Le Mat. He’s appeared in a lot of well known films and television series. His hair is the most notable thing and still is. This time his floofy hair is playing the part of Alex Whitaker.
We also have an independent corner store psychic who does card and aura readings. Which is a fun little scene as we get to see the always wonderful Barbara Crampton in a small roll, getting her fortune told by another familiar face to horror, Irene Miracle, playing Dana Hadley.
Next on the list we get a couple who do…some kind of sleep….study? I honestly..well. Screw it. Frank Forrester and his girlfriend Carissa Stamford use their psychic powers to read peoples thoughts and use…sex fetish..things. To make contact with past events. It’s weird and. I don’t want to call it their power? But. Well there it is. These two are played by Matt Roe a fun TV actor, and Kathryn O’Reilly. Who was a delight to watch in this.
These four friends are all gifted psychics who have different abilities, but all known one another. They all worked together under the leadership of a man, Neil Gallagher played by Jimmie F. Skaggs. Who has done a looooooooot of film and tv work.
But you likely wont get much out of him here as he is DEAD!!!
Yes, this group is gathered here today, at the very place our film started, all for this mans funeral. It turns out he killed himself and they all had some vision not only of his death. But odd visions of events that have not yet happened, but put them all in a similar spot. So naturally they must follow through with those visions and meet up. You just don’t mess with fate pal.
Apparently they all worked together trying to discover the late Andre Toulon’s secrets.
So here the friends and colleagues are, once more.
Are they proud about it? Hell no! They don’t care much for the guy. He was apparently an ass. But they are here no less for his funeral, and to try and make sense of things. Of which, there are a lot to try and make sense of.
Like Dana for instance. She believes in lighting incense to clean rooms of bad spirits, and rock magic which isn’t terribly bad. However the weirdest thing about her is that she carries with her, and packed in her bag, her stuffed dead dog with whom she still communes regularly.
We have Alex and his ability to crush photos in his hands. Actually that’s not his ability. He sees visions through dreams, which also just happen to coincide with day dreams and holding onto objects. Because why not.
But no one cares about that! You all want to know about the sex perves! Well we get to see some of their powers on display, don’t you worry about that. While the two are riding in an elevator with Theresa the Inn’s maid and caretaker. Played by the always amazing Marta Small. She’s done extensive tv and film work from Mannix, Maude, Sleeper and one of my favorites One Flew Over the Cuckoo’s Nest.
The three are riding an elevator and suddenly Carlissa begins have a vision. Moaning and rubbing her temples as she gets visions of a woman having a sexual encounter in the elevator! Which we see played out in a black and white flash back. It appears our now dead Neil Gallagher has forceful sex with a woman, who was NOT his wife! But the wonders don’t stop there. Oh no, no, no. Once they make their way to their room. She flops onto the bed, and begins writhing lustfully. She tells her boyfriend that two Hollywood celebrities had sex on that very bed. She begs him to come over and feel it with her. He’s not really interested but decides hell, why not. Yolo I guess. He has the same doctoring skills as I do when wearing my stethoscope. I may or may not have medical training so when I say “You appear to have a fever, lift up your shift and I’ll take your temperature”, you can guess how legitimate my credentials are or aren’t.
Well this ones no better. When she tells him to come feel the sensation with her? He grabs hold of her breast. Perpahs through contact he can see what his partner sees and experience it along side her. If so why not just hold hands, I mean fuck man. Why not? But who am I to question a doctors medical practice.
Well lets not dwell too much on that shall we? We have other more important matters. Like just what the hell is going on here. Oddly Mr. Gallagher had specifically stated he was not to be buried until they all showed up. His wife Megan, played by Robin Frates. Has graciously received these guest whom she didn’t know or meet before tonight. Yet everyone with the exception of Alex seem to either be a bit cold to her, or uncaring. They never considered their ‘friend’ the marrying kind, and well.
They mostly remember him as being a selfish asshole. So most of their curiosity on Megan is on why she would even be with this douche bag. She knew him as being helpful. He came to her when she needed someone the most. She helped him with his work and he continued to research Andre and the hotel.
She seemed to genuinely like the man, I mean she did marry him.
But as we learn at a small dinner gathering. He was and forever shall be in his friends eyes, a selfish money hungry asshole.
Which is not so politely relayed to the widowed wife through our drunken gifted friend Dana. Who tells her just that while drinking the womans own wine and eats her food.
Being psychic is cool, being a bitch is nothing special.
But its how she be.
It’s unfortunately too much for Megan to take as she can’t understand these people hating her husband whom she only ever knew as loving and caring. Alex however is kind and wishes only to help her, so he takes off after her to make sure she’s fine and try to excuse Dana for her forward behavior and bitchery.
Its here we thankfully fill in some backstory as to just why these people all decided to work for such a guy none of them seem able to stand.
Alex explains to her, that each of them has psychic powers and her husband had gathered them all together to him study an ancient Egyptian sect. A group that found a secret method of giving life to inanimate figurines. He used their powers to locate one of the last remaining magicians who knew and practiced this, Andre Toulon. He was the last practicing alchemist of these techniques. All of them offered some method of aiding his research and furthering his search for Toulon and others connected to him. Unfortunately as we saw in the films beginning Andre had taken his own life. So he has used their different abilities to gather information based off items from his room and such.
This is a really interesting bit of backstory we’re getting. However this movie does feature and is mostly about killer puppets.
Which as this backstory is being delivered to us. We see one of these puppets begin to emerge from of all places…her husbands coffin. The first puppet we see is, Pinhead.
An actually very interesting puppet. He has a small bald head with a rounded pin top. A huge bulking muscular torso and hands. Which are provided by a dwarf in the film, and sturdy legs. He has the body of a bruiser from the 30’s
Pinhead is roaming one of the hobbies and discovers the live in maid. Unfortunately he has awoken from the coffin with a thirst for murder. So as he locates a fire poker. He lifts it up and smashes the poker over her head, killing her with his brute strength.
Soon her body is discovered and our guest are. Well reasonably shaken.
But more hysterically, you have a murder in a hotel full of psychics and none of them know what the hell happened or who did it.
Go figure right?
Well let’s not dwell on that. We got bare breast! Yes. Our sex psychic is taking a bath and begins to experience an orgasmic vision as she informs Frank her boyfriend that two women, serving in WW2 spent their entire time on leave making love in the bath tub. Which excites her a good deal. Enough that even with her bubble bath. She can’t help but arch herself and show off her breast. Among other things later.
You may ask yourself. Is this going anywhere? Oh it is.
Is it somewhere we want to go? Not really but here we are.
Yes the love doctor is going to have kinky sex with his sex psychic girlfriend after her lesbian bath tub vision set the mood. She’s going to use stockings to tie his hands to the headboard and do….as she wishes and allows him to do.
Honestly the best thing to note here, is that all of these psychics? Are just living off alcohol. Before this couple began their depravity. The boyfriend was refilling his champagne glass. As Alex returns to his room? He’s refilling his wine glass. As Dana finishes lighting candles and protection spells for her friends, She also refills her drink.
I guess if its free, why not?
Well it may actually help, as it seems no one is going to be getting any sleep, since we discover either the walls are that thin, Or the couple boinking are just that loud.
Well the noise is thankfully aiding one of our puppets in their exploration of our guest. Our favorite little investigator Blade is at it again. Checking on people through their key holes. Which offers us also a few choice shots of the horny couple banging and letting is know very well, that Carlissa is not wearing any clothes under her sheer black nighty.
Which is fortunate for the viewer, but unfortunate for her. As these people never thought to lock their damn door. So blade opens the door and lets a puppet friend into the room. Two actually.
The first is a puppet named Tunneler. Who wears a green soldiers uniform, and in place of a head. He has a drill. Which as his name would suggest. Well we’re about to see. As Carlissa stops riding the bologna pony as she hears something in their room. She dismounts her tied up blindfolded boyfriend and searches under their bed. Which sadly leads to, you guessed it. Her head getting tunneled by Tunneler.
As her boyfriend can’t see what happened, and apparently is unable to make out the sound of flesh and bone being drilled by a large tunneling drill. He is left at the mercy, of a third puppet we are introduced to, and was a freak out for me at my young age. It’s a female puppet wearing a pink satin dress, with black hair, blue eyeliner and she has a rather special ability, that comes with her name sake.
The puppet climbs the bed and begins lightly kissing the tied up boyfriends torso. Which he enjoys. Naturally. However we learn her name soon as she opens her puppet mouth, dislodging her jaw and begins slowly spitting out leeches. Which she lays out on his chest, one after the other. Yes. Her name is Leech Woman.
Frank Forrester begins to feel pain and tries telling his girlfriend to stop as its too painful for him. Seeing she wont he begins calling out her name and finally moves his head to push the blindfold off. Only then seeing the killer puppet, and 4 large leeches laid out on his belly. Sucking the blood out of him until he dies. Sadly no one knows he’s in trouble as all they had to listen to was the sound of him being ridden by Carlissa. So him screaming seems par the course.
Now just like any good horror film. Once it reaches the magic mark of an hour. It’s time to ramp up the violence and tone down what little story you had to begin with. So the deaths are going to start coming fast and furious, as are some more questions WHICH…may or may not be answered by the end.
As Frank dies and everyone rejoices that the moaning and screaming has ended. Alex is out and about walking off likely his 8th glass of wine. He happens to run into Dana in the hallway. Who is carrying her dead stuffed dog in one arm, and a large bottle of red wine in the other. I was not joking when I said these people drink like fish.
She tries enticing Alex to her room for some hanky panky penis spanky. But he will have none of that. He does not wish to have his penis touched by the wicked bitch of booze and bitchery. She even calls herself a bitch so its fine.
Instead of the sex he shows her a meme of a samurai dog telling her he no longer wishes to be horny, he just wants to be happy, and walks off.
Which is good for him, because he seems to be saving his adult virginity for Megan, and even better for him as Dana is about to die. In a kind of funny horrible way.
Also a pretty nifty way, because she has foreseen her death earlier in the film in a vision! Which now will make sense.
Weirder still though, As she enters her room and sets down her stuffed dog but not the bottle. She finds of all things. The corpse of Neil Gallagher in her room, sitting in a chair. She isn’t the least bit surprised either. She tells him so. Figuring he’d show up eventually. She tells him that she knows what he’s done, and doing. But he wont get away with it. Well Pinhead is in the room with her and he decides she needs to relax and take a break. An Ankle break! Hah, see what I did there?
So he snaps her poor ankle and tries choking her out. Fortunately though her drunken state has helped her relax and made her numb to most pain. A lesson Billy Bob taught us in Bad Santa. So she escapes and tosses pinhead off of her. Stumbling down the hallway. But he’s a quick puppet and he gives chase. Only having seen this exact moment in her vision. She knows the doll is coming for her. So she fends off his attack and sends the doll flying over some stairs to the floor. Which is kinda funny because we hear Pinhead growl out “Aaaaaahh” as he falls. It’s cute.
Well one puppet threat down, but there is another. Blade.
Blade takes off down the hall as fast as his little legs can carry him. But Dana is safely inside an elevator and seals the door. Upsetting blade as he was hoping to get in on the fun.
Speaking of fun. The elevator unfortunately automatically returns to its home position. Which is downstairs. So as it heads down to the main floor. Pinhead is there to receive Dana. He runs into the elevator, climbs up the womans chest and begins belting her with punches.
BUT!
Dana is a tough cookie. She isn’t going down without a fight. Like I said, the alcohol has numbed her to pain that would usually take out a normal human being. Suddenly the mass drinking these people do makes a lot more sense.
She is able to wrestle free of Pinheads assault and tosses him out once more. Shutting the door. But is it over? Is she safe? HELL NO! The ceiling tile above her is being moved and who should drop in for the assist? Blade! He leaps out, landing beside her. Blade is really, very happy about this. He gets to do something cool finally. He raises his knife hand up, shows off his name sake to her and, swiftly, beautifully cuts her throat.
Dana is now bleeding out red wine all over the place, and is sadly, no more.
But kudos to her for putting up a good fight.
Somehow, or two remaining guest. Alex and Megan didn’t hear any of this struggling, crying or puppets screaming AAAHHH. So Alex slept like a baby. That is until Megan wakes him in her night down only to tell him she has something to show him.
I may have watched too many adult films in my life to imagine what she could have to show him waking up like that. But reminding myself this is a horror movie not a whore movie. She takes him on an adventure though a closed off part of the hotel filled with broken wood boards, nails, broken glass, spiders, and destroyed objects. Appropriate setting for a night gown and slipper trip.
She shows Alex a ballroom. As they enter the ballroom, Megan moves toward a masked man in a tuxedo. Beginning to dance with him, looking like she herself was in something of a trance while doing so. As Alex watches on both confused and a little scared. Possibly aroused. As the dance comes to an end. The man removes his mask, revealing his identity to be none other than Neil Gallagher. Who smiles creepily at Alex while pulling at a german pistol and aiming it at Megan’s head. Telling him “You can’t save her”, the man laughs. Alex shouts no and as the gun goes off? Alex wakes up with the weirdest boner and sits up in bed. Thankfully it was all a dream. Or a vision? I mean his visions do come from dreams soooo.
Anyway, this film has some explaining to do as we only have twenty minutes left!
But hold your horses! As he pulls back the covers so he can spread out his legs and jerk it like a mad man because he woke up in that unruly kind of horny mood when you just wake up and all you wanna do is just unleash the fury on yourself like a feral beast so you just…..
So he kicks the covers off and HORROR! The severed heads of the recently dead trio are under his covers staring judgingly at him. So he wakes up a second time, this time for real, and without a boner, so he knows its for real this time.
He awakens hearing knocking at his door, and sure enough. Megan is there, dressed as she was in his vision, and telling him she has something to show him. Only this time, they aren’t going to a ballroom.
She instead shows him a diary she’s uncovered. Belonging to Toulon. Which talks about him giving life to his creations. That he put the souls of those he loved and cared for into them. That these living dolls are like children to him, and he loves them like children. Alex has a mild freak out and decides maybe they should get out of this place while they live and you know, avoid the bill for the alcohol.
Actually he wants to find his friends. So they head to the dining room and sure enough he finds them. Bloodied and sat at the dinner table. All with a nice ambience of melted candles on the floor, setup by Neil Gallagher. Who is not dead, but rather very alive and not looking like, or acting like a puppet.
Metaphysics apparently is the explanation.
At least that’s what Neil tells us.
The simple answer is that he discovered Andre’s secret and recreated his miracle, before blowing out his own brains to fake his death. An elaborate trap to get his friends there. It is here that he begins explaining to Megan, and Alex that he had been at this for a long time. That when he found Megan, he had used her parents as original test subjects for Toulons formula. So he was responsible for their deaths. The man really was a selfish bag of dicks in it for the money, and himself! As foretold by the gypsy!
God I waited forever to use that line. Thank you Puppet Master for providing me with that.
Well Neil Is too full of his pride in this moment to think of anyone else. So he tells everyone hes tired of the games. He is tired of the stupid puppets, and using them to do his bidding. So he tosses our three faced jester aside. Which shocks our puppet friends as their new master has turned on them. Megan learning he is responsible for her parents death moves to slap him. But Neil slaps her and send Megan across the floor. This also, suddenly upsets the murderous puppets. Especially the Jester. Neil turns his attention to Alex and begins pounding away on him now too! The man is really in it for himself and not a care in the world remains.
So what should happen of course? Well yes. The puppets turn on their new master! Pinhead tackles his legs and tries to strangle him. But Neil is having none of this. He picks the puppets head off and tosses him aside. Well luckily for Pinhead he has Tunneler on his side! So Tunneler begins tunneling Neil’s ankle. Crippling him. Neil growls out at this and tosses the Tunneler aside.
Realizing the floor is now occupied with killer puppets. Neil leaps up and tries lifting himself up the top of the elevator shaft. But this is familiar territory.
For BLADE!!
That’s right. Blade pops up and uses his blade to cut off the mans fingers. Which immediately bleed green fluid everywhere.
I guess the guy really was a reanimated puppet man now. Gross.
So down goes Neil Gallagher. Immediately set upon by the puppets. All of him move into position to hold their master down. Tunneler drilling through one of his hands trapping it to the floor. Blade dislodging his blade hand into Neils free hand keeping him stuck to the floor before Pinhead grips and holds his head still. Blade hooks his mouth and pulls his jaw open. All in service for Leech Woman to saunter up and launch the daddy of all leeches into Neils mouth.
Which doesn’t kill him but it hurts like hell I’ve no doubt. What kills him is Pinhead snapping his neck.
And with that, the reanimated eternal Neil. Is proven to be not eternal, and extremely killable.
Alex comforts Megan and the movie fades to black.
But oh it’s not done yet, oh no. We have the next morning. Because of course Alex is going to stay the night. I mean shit. You tell me how you’re gonna walk out of a hotel full of killer puppets after what you just saw and not say another word.
So he hugs Megan and ask her to come back with him. But she says Nah, I’ll be fine. I got puppets and a house to look after. I’m a little crazy now. So Alex nods, game recognizes game, and he leaves for a taxi, and another bottle. While Megan picks up the dead Dana’s stuffed doggie and carries it upstairs. And we see the dead doggo suddenly become reanimated itself and become a living pupper all over again. The music hits and we roll credits.
The end!!
And what an end. I mean it’s really kind of funny, you have the usual villain doing the ‘This is how I did it’, bad guy speech. Only to have his henchmen realize ‘oh shit, he’s the bad guy?! Oh man we strongly misread the room here guys’, to the point they just politely step the heroes aside and take matters into their own hands. All while the villain is like ‘what the hell? I sign your paychecks!”
Which maybe yeah, if he paid them they wouldn’t have been so grumpy. Also if he really hadn’t insulted them. And tossed them around. I mean you can hate using magical puppets, I guess? But when you use them to do your murder and then decide their usefulness is done. You could give them a fruit basket or a two week notice versus smashing one into the floor and mocking it. That’s how you get unions.
But, it’s a pretty solid entry into what would become a huge time traveling retconning and spin off series. They introduce new puppets and insane puppets, reinvent old puppets, give roles to the puppets, and at one point the films got stuck in Nazi Germany for what felt like forever.
Do you need to see all of them? I mean…no. In fact it’s not really recommended. Just stick with this one, and if you decide hey that was fun, go on to part 2. Then walk away. Unless you REALLY want to invest yourself.
I mean I did, but I was a kid.
However, even as a kid, I still appreciated the music, which is hard not too. So shall we? We shall
The Music
Charles Band is like a walking Willy Wonka. The man writes, produces, directs everything and anything, composes his own scores for the films too. He kinda does it all.
And bless him for that.
This was one of the earliest scores I heard in a film, that stuck with me. And in pretty funny ways. I watched, as did my sister. Every Full Moon release growing up. And as I said we were growing up during a time they were pumping these films out like crazy. It was a damn good time to be alive. I loved listening to the music for this film. I really did. There was a time they used it as well for. Well. Everything Full Moon. It was hard to escape it. The only thing that rivalled my listening pleasure and time was Hellraiser 2. Which growing up I would sometimes confuse one score for the other. I’d forget the Hellraiser score midway through in my mind and it turns into Puppet Master. It still cracks me up how it can happen. The music just really wiggles its way into your head. And I love that!
The score is, and I mean this as the most complimentary thing I can. Beautifully cheesy.
It’s a wonderfully majestic, magical whimsical score that just carries with it a tone of innocents and malevolence. The fantastical and surreal. It’s really rather grand sounding. While sounding appropriately, well. Full Moon.
I mean you hear that music kick in and you know your in for a Charles Band fun time.
It really carries a very operatic sound throughout. Very gothic and beautiful. Honestly it sounds like what you’d nearly expect from a Carnival magician. Which is very fitting really.
The theme song, especially growing up was iconic. You recognized it immediately and knew you were in for a good time.
It captures the mood and feel perfectly of the film and blends so well into the background you still feel it’s presence, but its never overwhelming. A lot of modern horror music can do that and it’s annoying. I just kind of get swept up in simple sweeping scores and this is one of those. It’s honestly hard to imagine this film without the music. Replacing it with something else would just. Kill it. Honestly.
Clearly Full Moon was proud of it especially to reuse it so much!, Which definitely wasn’t a bad thing. Renting this movie, all of them as they came out. It fed a craving I had for effects and behind the series documentaries. Each of their films included ads for Full Moon merch and films. As well as behind the scenes features. Seeing them make the puppets is still fresh in my head, and I remember them selling the Blade and Pinhead puppets way back it was just…..I wanted one so damn bad. But there so so expensive and I was so young, with no money lol.
But every feature had that theme playing on the Puppet Master VHS and you just. It had you captive, and wasn’t going to let go, until you turned the tape off.
Puppet time is a fun track, as is Blade Enters the Hotel. The soundtrack is relatively short but even on its own, and why I love it. Even on it’s own, just listening to it you get the same feeling from it as you do listening to Star Wars score. You get a full tale told to you through the score.
If I had to pick a really stand out track though, my favorite is still the beginning of the end for Neil in The Battle Begins.
The main theme does repeat itself throughout and manages to slide into some of the tracks while not taking over it. Much in the same way you pick up hints of the sharks theme in Jaws throughout. Only with puppets.
I saw this album and picked it up immediately from Full Moon’s website. Hell I picked up the entire film collection for Puppet Master when I signed up for a year subscription to the site. It was worth it. Somewhat. We will see.
They put out their own soundtracks and you can even spot it on Amazon in a complete series soundtrack collection. Which is worth it really as down the road they get the likes of Fabio Frizzi, and that music is always worth it.
Genuinely recommend giving it a listen and checking it out. It may not be in your top soundtracks, you may pull it out once in a while. But when you do, its that right mood and it just hits right. Enjoy the movie please, support Full Moon and Charles Band’s music.
As for now, I shall see you all tomorrow with the next film and please PLEASE!!! If you are going to get kinky as hell with your partner. Lock the door. Please? An open door is an invitation to puppet murder as well as an open casting call. Whether you intended it or not.